As the opening credits roll the film begins with shots of the infamous Milorad Ulemek (then commander of the Serbian police Special Operations Unit who was later convicted for his role in the 2003 assassination of Prime Minister Zoran Đinđić) inspecting troops. Ulemek is not mentioned by name as he was still very much unknown to the Serbian general public at the time.
The narrator Dina Čolić-Anđelković sets the tone by informing the audience that although Serbia was not directly and officially involved in the Yugoslav Wars, the country still very much felt its effects: country is under the United Nations trade embargo, the inflation rate is skyrocketing, streets of Serbian cities are flooded with weapons, and the brain drain is in full swing with young professionals leaving abroad. At the same time many local career criminals plying their trade in Western Europe have returned home to take advantage of the chaotic situation.
To further its point, the narration refers to the heinous crime that occurred on 1 December 1993 in the Belgrade municipality of Novi Beograd. Two returnees from the frontlines, Ilija Vujić and Darko Lončarić, broke during early afternoon into the apartment at Pohorska Street inhabited by Verica Židić and her 13-year-old son Davor. Vujić shot the mother in the liver, a technique he learned in the war that apparently allows the victim to live a little longer before succumbing, in order to have enough time to question her about her savings they were after. He then proceeded to kill her son as well. Belgrade police inspector Ljuba Milovanović is then interviewed about the gruesome double murder. He says that during questioning, Vujić’s response to their question as to why he killed the son was: “Fuck the kid, he was supposed to be in school at that time of day, anyway”. Narrator then says that before being apprehended by police, Vujić and Lončarić had recounted their crime in detail in a packed Belgrade cafe. None of the cafe guests who had heard the story found it necessary to call the police. In the end, Vujić received the death penalty.
The movie then shifts to interviews with various Belgrade gangsters. While some of them act through close-knit criminal clans, others seem to be freelancers. Many of them have also done work for the Serbian state security agencies.